The Force Awakens

Star Wars: The Force Awakens.

Opening night.

The George Lucas Effect has taken over.

There Was Another

     In the United States, the last week of November signals the beginning of the "holiday" period. It starts with Thanksgiving, runs through Christmas and New Year, and finishes up somewhere around Superbowl Sunday.

  This year, the house was empty for the first real time, not a child to be had, not a potato mashed, not a turkey carved, not an arrival recieved.

  I could not have asked for a better window in which to complete two major articles that were approaching their deadline. By July 2016, you should be reading about an American Pioneer, but not the one whom you might think.

  It turns out, there was another.

The George Lucas Effect

  A strange thing happened after the original Star Wars trilogoy (New Hope, Empire and Jedi) were released. The protagonist may have been Luke Skywalker (and company) but it was Darth Vader's story. It was all about the Dark Lord's demise. George Lucas always had a vision for his project, from which he could not be swayed.  I wonder if he set out to write the trilogy as such, or whether it was the format of film that created it that way.

  About a month ago I wrote of the Monster That Haunts Me, the rewrite required of the major project.  The rewrite is about the ending, which requires a different composition of the minor characters in the early chapters. The protagonist remains the same, but to justify the ending, the supporting staff require names, and in one scene, foreshadowing.

  An unexpected element of the rewrite is that is has resulted in a different query for publishers. The same format of the project is still being used, however, it is now shown in greater perspective by the final scene, which does not have the protagonist. The final scene turns the project, back on itself.

  George Lucas originally named the Star Wars protagonist Luke Starkiller. Like Lucas, I must now go back and give names, identities, and credit, to those, whom are otherwise undeserved, but without which, there would be no major project. I have, unknowingly, replicated the George Lucas Effect.

  Would it not be prophetic if the major project blossomed like the George Lucas effect on science fiction.

The Commute

7 cities.

6 freeways.

3 hours.

1 smile.

Welcome to my commute.

Writer Distractions.

Dad.

Wedding.

Daughters.

Fantasy football.

Alcohol.

Unemployment.

New adventures.

The Commute.

Clutter on my desk.

Sunday mornings.

Time to return to the pencil.

The Monster That Haunts Me

   The major project has been sitting for the last few months, waiting. Lamenting. It needed an ending, a conflict, an unexpected cliffhanger. A sudden revelation to neatly tie off the principle of the book.

  Two weeks ago I found that ending, that startling revelation. It began when I read studied, author Thomas Larson's book The Memoir and the Memoirist.  Ironically, among his credits, Larson is also a Staff Writer for the San Diego Reader, the same magazine that I write for.

  Larson showed me how the neat bow, the conclusion to wrap up the story was missing. That one element which would make the memoir memorable, was absent. I had known it now for almost a year, and still could not come up with any appropriate ending. I was given a possible conclusion by one of my daughters when she announced her intention to wed, but I did not have an "ending". As much as I had written, without the ending, it would be, as Larson wrote, a memoir which was inauthentic.

  And from another daughter, the ending arrived about two weeks ago.

  The rewrite is on. The ending has compelled me to go back into the draft, and begin working more of the elements of the ending, into the backstory. And with the ending, comes the opportunity to finish out this "monster" which has haunted me.

Subsim Review: Navy Field 2

  Many thanks to the staff at the web's #1 submarine simulation site, Subsim, for carrying my review of the Navyfield 2 game.